{"id":479,"date":"2018-02-15T15:19:08","date_gmt":"2018-02-15T14:19:08","guid":{"rendered":"http:\/\/www.ewc.at\/?page_id=479"},"modified":"2024-12-20T09:49:34","modified_gmt":"2024-12-20T08:49:34","slug":"aufnahmen","status":"publish","type":"page","link":"https:\/\/www.ewc.at\/english\/aufnahmen\/","title":{"rendered":"RECORDINGS"},"content":{"rendered":"<div id=\"cs-content\" class=\"cs-content\"><div class=\"x-section e479-e1 mdb-0 mdb-1\"><div class=\"x-container max width e479-e2 mdb-4\"><div class=\"x-column x-sm x-1-1 e479-e3 mdb-5\"><h1  class=\"h-custom-headline cs-ta-center h3 accent\" ><span>RECORDINGS<\/span><\/h1><div class=\"x-section e479-e5 mdb-0 mdb-2\"><div class=\"x-row x-container max width e479-e6 mdb-7 mdb-8 mdb-9\"><div class=\"x-row-inner\"><div class=\"x-col e479-e7 mdb-f\"><div class=\"x-text x-content e479-e8 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6qo6HWcx5kMkCE5IqWJDKu?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e9 mdb-j\" id=\"x-acc-e479-e9\"><div class=\"e479-e10 x-acc-item\"><button id=\"tab-e479-e10\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e10\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e10\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Simeon Pironkoff: SUJETS (2003-04)<\/b><\/span><\/span><\/button><div id=\"panel-e479-e10\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e10\" data-x-toggleable=\"e479-e10\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e11 mdb-g mdb-h\"><b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<br \/><em>Three trios and a quartet with clarinet\/bass clarinet, trombone, violoncello and piano.<\/em><br \/><em>In this cycle, an attempt is made to extract various \u201csubjects\u201d from certain \u201cfriction states\u201d (especially on a rhythmic level) given in the compositional material (in the specific context, I understand subject here as a kind of \u201cobjet trouv\u00e9\u201d which has become the subject of a compositional statement as a result of an individualization process).\nRhythmic models of varying complexity are superimposed and sequences rich in contrast in their \u201csemantic quality\u201d are selected from them.<\/em> - Simeon Pironkoff<\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e12 mdb-k mdb-l\"\/><\/div><\/div><\/div><div class=\"x-row x-container max width e479-e13 mdb-7 mdb-8 mdb-a\"><div class=\"x-row-inner\"><div class=\"x-col e479-e14 mdb-f\"><div class=\"x-text x-content e479-e15 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2ZGA1sqSvz31ovHxHTgFdE?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e16 mdb-j\" id=\"x-acc-e479-e16\"><div class=\"e479-e17 x-acc-item\"><button id=\"tab-e479-e17\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e17\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e17\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Collage-D\u00e9collage (Live): Works by Wolfgang Suppan, Alexander Stankovski, Gerald Resch, Alexandra Karastoyanova-Hermentin, and Sidney Corbett<\/b><\/span><\/span><\/button><div id=\"panel-e479-e17\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e17\" data-x-toggleable=\"e479-e17\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e18 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 08.05.2019, Livemitschnitt<br \/>\n<b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<\/p>\n<p><b>Title: <\/b> Haiku<br \/>\n<b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Composer:<\/b><span style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"> Wolfgang Suppan<\/span><\/p>\n<p><b>Title: <\/b> Linien IV<br \/>\n<b>Composer:<\/b> Alexander Stankovski<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b> con moto<br \/>\n<b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Composer:<\/b><span style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"> Gerald Resch<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<br \/>\n<\/span><\/p>\n<p><b>Title: <\/b> Polynj f\u00fcr Violoncello solo und vier Instrumente<br \/>\n<b>Komponistin:<\/b> Alexandra Karastoyanova-Hermentin<br \/>\n<b>Cello: <\/b>Johanna Kotschy-Appel<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b> The saddest red for accordion and string quartet<br \/>\n<b>Composer:<\/b> Sidney Corbett<br \/>\n<b>Accordion: <\/b>Alfred Melichar<\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e19 mdb-k mdb-l\"\/><div class=\"x-text x-content e479-e20 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4Hy115yrTYt9KXngbTMCj6?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe> <\/div><div class=\"x-acc e479-e21 mdb-j\" id=\"x-acc-e479-e21\"><div class=\"e479-e22 x-acc-item\"><button id=\"tab-e479-e22\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e22\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e22\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Mauer-Fragmente (Live): Werke von Julia Purgina, Mayako Kubo, Dora Cojocaru, Zdzislav Wysocki & Wladimir Pantchev<\/b><\/span><\/span><\/button><div id=\"panel-e479-e22\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e22\" data-x-toggleable=\"e479-e22\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e23 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 03.03.2022, live recording<br \/>\n<b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<\/p>\n<p><b>Title: <\/b>1:3:1<br \/>\n<b><\/b><b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Komponistin:<\/b><span style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"> Julia Purgina<\/span><\/p>\n<p><b>Title: <\/b>5 Mauer-Fragmente: I. Montaru 3b<br \/>\n<b><\/b><b>Komponistin: <\/b>Mayako Kubo<\/p>\n<p><b>Title: <\/b>5 Mauer-Fragmente: II. Tante Vera zum 86. Geburtstag<br \/>\n<b><\/b><b>Komponistin: <\/b>Mayako Kubo<\/p>\n<p><b>Title: <\/b>5 Mauer-Fragmente: III. F\u00fcr L.<br \/>\n<b>Komponistin: <\/b>Mayako Kubo<\/p>\n<p><b>Title: <\/b>5 Mauer-Fragmente: <span class=\"Apple-converted-space\">\u00a0<\/span>IV. Die Mauer<br \/>\n<b>Komponistin: <\/b>Mayako Kubo<\/p>\n<p><b>Title: <\/b>5 Mauer-Fragmente: V. Die Berliner Luft<br \/>\n<b>Komponistin: <\/b>Mayako Kubo<\/p>\n<p><b>Title: <\/b>Cicadamania<br \/>\n<b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Composer: <\/b>Dora Cojocaru<\/p>\n<p><b>Title: <\/b>Et\u00fcde Nr. 4 op. 54 Nr. 4<br \/>\n<b><\/b><b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Composer: <\/b>Zdzislav Wysocki<br \/>\n<b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"><\/b>--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b>Et\u00fcde Nr. 123 op. 78 Nr. 15<br \/>\n<b><\/b><b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Composer: <\/b>Zdzislav Wysocki<br \/>\n<b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"><\/b>--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b>Quartett V<br \/>\n<b><\/b><b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\">Composer: <\/b>Wladimir Pantchev<br \/>\n<b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"><\/b><b style=\"font-family: inherit; font-size: 1em; letter-spacing: 0em;\"><\/b>--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e24 mdb-k mdb-l\"\/><div class=\"x-text x-content e479-e25 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3Zj5R2o26Krb3J478zdtSf?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e26 mdb-j\" id=\"x-acc-e479-e26\"><div class=\"e479-e27 x-acc-item\"><button id=\"tab-e479-e27\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e27\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e27\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Colors and Impulses (Live): Works by Thomas Wally, Charris Efthimiou, Jaime Wolfson, Erik Freitag, Ramon Lazkano<\/b><\/span><\/span><\/button><div id=\"panel-e479-e27\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e27\" data-x-toggleable=\"e479-e27\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e28 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 03.10.2018, Livemitschnitt<br \/>\n<b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<\/p>\n<p><b>Title: <\/b> Les \u00eeles des nombres II<br \/>\n<b>Composer:<\/b> Thomas Wally<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b> KIC 8462852<br \/>\n<b>Composer:<\/b> Charris Efthimiou<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b> El Arpa Verde<br \/>\n<b>Composer:<\/b> Jaime Wolfson<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b> Pablos Galerie<br \/>\n<b>Composer:<\/b> Erik Freitag<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b> Errobi-2<br \/>\n<b>Composer:<\/b> Ramon Lazkano<\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e29 mdb-k mdb-l\"\/><div class=\"x-text x-content e479-e30 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2fxNNXaln2TgGEKwvFFR57?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e31 mdb-j\" id=\"x-acc-e479-e31\"><div class=\"e479-e32 x-acc-item\"><button id=\"tab-e479-e32\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e32\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e32\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><strong>M\u00e4rchen und Klagen (Live): Works by Dietmar Hellmich, Wladimir Pantchev, Zdzislav Wysocki and Ren\u00e9 Staar<\/strong><\/span><\/span><\/button><div id=\"panel-e479-e32\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e32\" data-x-toggleable=\"e479-e32\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e33 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 24.04.2018, live recording<br \/>\n<b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<br \/>\n<strong>Recording manager:<\/strong> Florian Rosensteiner<br \/>\n<strong>Sound engineer:<\/strong> Andreas Karlberger<br \/>\n<strong>A recording by the Austrian Broadcasting Corporation (Radio \u00d6sterreich 1).<\/strong><\/p>\n<p><b>Title: <\/b>Kammermusik Nr. 16<br \/>\n<b><\/b><b>Composer:<\/b> Dietmar Hellmich<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b>K\u00fakeri (M\u00e4rchen)<br \/>\n<b>Composer: <\/b>Wladimir Pantchev<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b><span>Totenklage op. 22p bis<br \/>\n<\/span><b><\/b><b>Composer: <\/b><span>Ren\u00e9 Staar<br \/>\n<\/span>--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b><span>Pezzo Caotico Trittico op. 77<br \/>\n<\/span><b><\/b><b>Composer: <\/b><span>Zdzislav Wysocki<br \/>\n<\/span>--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p>\n<p><b>Title: <\/b><span>60mal Sigrid Wiesmann op. 14\/8 f\u00fcr Celesta und Klavier<br \/>\n<\/span><b><\/b><b>Composer:<\/b> <b><\/b><span>Ren\u00e9 Staar<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<br \/>\n<\/span><\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e34 mdb-k mdb-l\"\/><\/div><\/div><\/div><div class=\"x-row x-container max width e479-e35 mdb-7 mdb-8 mdb-b\"><div class=\"x-row-inner\"><div class=\"x-col e479-e36 mdb-f\"><div class=\"x-text x-content e479-e37 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5NOvUipXqFAFXctQ4yEipp?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e38 mdb-j\" id=\"x-acc-e479-e38\"><div class=\"e479-e39 x-acc-item\"><button id=\"tab-e479-e39\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e39\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e39\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Oleksandr Shchetynsky: Two \u2026 In Parallel \u2026 Disjoint? (for clarinet and accordion; 1998)<\/b><\/span><\/span><\/button><div id=\"panel-e479-e39\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e39\" data-x-toggleable=\"e479-e39\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e40 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 19.04.2024<br \/><b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<br \/><b>Soloists:<\/b> Alfred Melichar (accordion) &amp; Stefan Neubauer (clarinet)<br \/><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e41 mdb-k mdb-l\"\/><\/div><\/div><\/div><div class=\"x-row x-container max width e479-e42 mdb-7 mdb-8 mdb-c\"><div class=\"x-row-inner\"><div class=\"x-col e479-e43 mdb-f\"><div class=\"x-text x-content e479-e44 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/0Meff5iSj7rXAXg5Cz4JeP?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e45 mdb-j\" id=\"x-acc-e479-e45\"><div class=\"e479-e46 x-acc-item\"><button id=\"tab-e479-e46\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e46\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e46\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Erich Urbanner: Concerto for accordion and nine instruments (2004) - Alfred Melichaer, accordion<\/b><\/span><\/span><\/button><div id=\"panel-e479-e46\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e46\" data-x-toggleable=\"e479-e46\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e47 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 17.05.2017<br \/>\n<b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<br \/>\n<b>Soloist:<\/b> Alfred Melichar, accordion (<a href=\"https:\/\/www.alfredmelichar.com\/termine\" target=\"_blank\" rel=\"noopener\">alfredmelichar.com<\/a>)<br \/>\nThe work was commissioned by the Ensemble Wiener Collage and is dedicated to this outstanding ensemble in a spirit of friendship. I wanted to include the accordion, which has now established itself in the newest and most diverse areas of musical expression and has even become a cult instrument, in my compositional considerations and to present its fascinatingly individual sound world accordingly. This task suited me very well, as I have always felt drawn to forms of concertante content since the beginning of my compositional activity, in order to face the particular challenge of a musical partnership, to be confronted with an overabundance of creative possibilities, to extract perspectives for my own actions and to express them in individual forms. The term \"solo concerto\" has evidently been somewhat discredited since 1945, and it seems to be moving away from its original content again and again, choosing solo instruments as the primary carriers of musical events, placing them at the center, assigning them tasks that can only be solved in this or that way by this or that instrument. Transitional phases and the questioning of established norms have always aroused my particular curiosity, and it is less strange than initially assumed that concert pieces in which there is no longer any talk of \"concertare\", of soloists competing for the virtuoso's palm, can also exude a fascination that emanates from the instrumentalist and his playing, and not least from his instrument. This directs the inquiring eye anew to the instrumental and its perhaps still hidden secrets. The composition consists of four movements, which are only separated from each other by short general pauses. Apart from a cadenza dedicated to the soloist, the events are characterized by rich musical forms, by a variety of dialogues, of instruments and groups among themselves, as well as of the instruments with the soloist. The dualism - here solo instrument, here ensemble - has thus been abolished; the musicians have to a certain extent been transferred from the role of opponents to that of equal partners. It is a multifaceted network of instrumental relationships, from individual actions to the bundling of complex contrapuntal and harmonic layers of experience, a pluralistic sound, alternating in density and continuity, a flexible fabric of transparent delicacy as well as block-like solidity. My aim was to arrive at formations, at figures that are ultimately and solely defined by their musical reality, to transcend the explainable, the sayable, the somehow identifiable, where the organized, even tonal, impulsively rhythmic or dance-like leads over into the living unity of the musical organism, into its contradictorily uniform growth.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"x-row x-container max width e479-e48 mdb-7 mdb-8 mdb-d\"><div class=\"x-row-inner\"><div class=\"x-col e479-e49 mdb-f\"><hr class=\"x-line e479-e50 mdb-k mdb-l\"\/><div class=\"x-text x-content e479-e51 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5C5SIeZEmUyiuLJxvTRDUn?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e52 mdb-j\" id=\"x-acc-e479-e52\"><div class=\"e479-e53 x-acc-item\"><button id=\"tab-e479-e53\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e53\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e53\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Ren\u00e9 Staar: Panik und Ironie (2011-12) - Stefan Obmann, Posaune<\/b><\/span><\/span><\/button><div id=\"panel-e479-e53\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e53\" data-x-toggleable=\"e479-e53\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e54 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 18.04.2024<br \/>\n<b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<br \/>\n<b>Soloist:<\/b><span> Stefan Obmann, trombone (<\/span><a href=\"https:\/\/www.tromboneattraction.com\/so\/\" target=\"_blank\" rel=\"noopener\">tromboneattraction.com\/so<\/a><span>)<\/span><br \/>\n<em>As a movement for a future trombone concerto, Ian Bousfield and the K\u00fcchlquartett created the work \"... in lichten Fernen ... ein traumhaft Gl\u00e4nzen\" op. 22k bis, inspired by a poem by Gustav Mahler to his wife Alma. This piece, which is available in two versions (the first for trombone and string quartet, the second for trombone and string orchestra), begins with an agitated monologue by the trombone and repeatedly leads to formal sections in which the trombone dominates or plays alone. Bousfield's idea of rearranging the material into a solo trombone piece was an obvious one. Compared to his model with string quartet, however, the piece appears completely different because the main emphasis is now on an ironic parody of the trombone's nervous solo passages - which is where the title of this short solo piece comes from.<\/em> - Ren\u00e9 Staar<br \/>\n<br \/>\n--&gt; Composer portrait in the essay <a href=\"http:\/\/www.ewc.at\/english\/komponistenportraits-30-jahre-ensemble-wiener-collage\/\" target=\"_blank\" rel=\"noopener\">STIMMEN DER VIELFALT<\/a>!<\/p><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e55 mdb-k mdb-l\"\/><\/div><\/div><\/div><div class=\"x-row x-container max width e479-e56 mdb-7 mdb-8 mdb-e\"><div class=\"x-row-inner\"><div class=\"x-col e479-e57 mdb-f\"><div class=\"x-text x-content e479-e58 mdb-g mdb-h\"><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/13HsGhF2225p6kfFJezkwV?utm_source=generator&theme=0\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/div><div class=\"x-acc e479-e59 mdb-j\" id=\"x-acc-e479-e59\"><div class=\"e479-e60 x-acc-item\"><button id=\"tab-e479-e60\" class=\"x-acc-header\" role=\"button\" type=\"button\" aria-expanded=\"false\" aria-controls=\"panel-e479-e60\" data-x-toggle=\"collapse\" data-x-toggleable=\"e479-e60\"><span class=\"x-acc-header-content\"><span class=\"x-acc-header-indicator\">&#x25b8;<\/span><span class=\"x-acc-header-text\"><b>Roberto Gerhard: Nonet (Live)<\/b><\/span><\/span><\/button><div id=\"panel-e479-e60\" role=\"tabpanel\" aria-hidden=\"true\" aria-labelledby=\"tab-e479-e60\" data-x-toggleable=\"e479-e60\" data-x-toggle-collapse=\"1\" class=\"x-collapsed\"><div class=\"x-acc-content\"><div class=\"x-text x-content e479-e61 mdb-g mdb-h\"><p><b>Date of recording:<\/b> 17.05.2017<br \/><b>Venue of recording:<\/b> Arnold Sch\u00f6nberg Center, Vienna<br \/><\/div><\/div><\/div><\/div><\/div><hr class=\"x-line e479-e62 mdb-k mdb-l\"\/><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"x-section e479-e63 mdb-0 mdb-1\"><div class=\"x-container max width e479-e64 mdb-4\"><div class=\"x-column x-sm x-1-1 e479-e65 mdb-5\"><h1  class=\"h-custom-headline cs-ta-center h3 accent\" ><span>CDs<\/span><\/h1><\/div><\/div><\/div><div class=\"x-section e479-e67 mdb-0 mdb-1\"><div class=\"x-container max width e479-e68 mdb-4\"><div class=\"x-column x-sm x-1-3 e479-e69 mdb-5\"><span class=\"x-image e479-e70 mdb-n mdb-o\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/ew1.jpg\" width=\"1004\" height=\"1001\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-3 e479-e71 mdb-5\"><div class=\"x-text x-content e479-e72 mdb-g mdb-i\"><p><strong>Music by Sch\u00f6nberg, Cerha, Wysocki, Staar and Stankovski.<\/strong><\/p><p><strong><em>Friedrich Cerha<\/em><\/strong><br \/>Concertino f\u00fcr Violine, Akkordeon und Kammerorchester\u00a0<br \/><strong><em>Zdzis\u0142aw Wysocki<\/em><\/strong><br \/>Et\u00fcden f\u00fcr Kammerensemble<br \/><strong><em>Ren\u00e9 Staar<\/em><\/strong><br \/>Das wachsende Schloss f\u00fcr Violine Solo und Kammerensemble<br \/><strong><em>Alexander Stankovski<\/em><\/strong><br \/>Spiegel-Maske-Gesicht f\u00fcr 6 Instrumente<\/p><form action=\"http:\/\/www.schoenberg.at\/index.php\/de\/onlineshop\/product\/updatecart\" method=\"post\" name=\"hikashop_product_form\" onsubmit=\"return hikashop_product_form_check();\" enctype=\"multipart\/form-data\"><div id=\"hikashop_product_bottom_part\" class=\"hikashop_product_bottom_part\"><p><span id=\"hikashop_product_url_main\" class=\"hikashop_product_url_main\"><\/span><\/p><div id=\"hikashop_product_files_main\" class=\"hikashop_product_files_main\"><\/div><\/div><\/form><\/div><\/div><div class=\"x-column x-sm x-1-3 e479-e73 mdb-5\"><div class=\"x-audio x-audio-embed e479-e74 mdb-u mdb-v\"><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/161254494&amp;color=%234cb0b8&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><\/div><div class=\"x-audio x-audio-embed e479-e75 mdb-u mdb-v\"><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/161253035&amp;color=%234cb0b8&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\"><\/iframe><\/div><\/div><\/div><\/div><div class=\"x-section e479-e76 mdb-0 mdb-1\"><div class=\"x-container max width e479-e77 mdb-4\"><div class=\"x-column x-sm x-1-3 e479-e78 mdb-5\"><span class=\"x-image e479-e79 mdb-n mdb-o\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/2001706.jpg\" width=\"619\" height=\"621\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-3 e479-e80 mdb-5\"><div class=\"x-text x-content e479-e81 mdb-g mdb-i\"><p><strong>10 years Ensemble Wiener Collage.\u00a0<\/strong>Recording of the jubilee concert<\/p><p><strong><em>Anton Webern<\/em><\/strong><br \/>Quartett Op. 22<br \/><em><strong>Ren\u00e9 Staar<\/strong><\/em><br \/>Aus den Gemini-Duos: A1, A8, A9<br \/><strong><em>Eugene Hartzell<\/em><\/strong><br \/>Kammersymphonie<br \/><em><strong>Ernst Krenek<\/strong><\/em><br \/>O Lacrimosa Op. 48<br \/><em><strong>Ren\u00e9 Staar<\/strong><\/em><br \/>Zwei Lieder nach Else Lasker-Sch\u00fcler<br \/><em><strong>Erik Freitag<\/strong><\/em><br \/>Triaphonie I<br \/><em><strong>Karl Kohn<\/strong><\/em><br \/>Roconnaissance<br \/><em><strong>Friedrich Cerha<\/strong><\/em><br \/>3. Streichquartett<br \/><br \/><\/p><\/div><\/div><div class=\"x-column x-sm x-1-3 e479-e82 mdb-5\">&nbsp;<\/div><\/div><\/div><div class=\"x-section e479-e83 mdb-0 mdb-1 mdb-3\"><div class=\"x-container max width e479-e84 mdb-4\"><div class=\"x-column x-sm x-2-5 e479-e85 mdb-5 mdb-6\"><hr class=\"x-line e479-e86 mdb-l mdb-m\"\/><a class=\"x-anchor x-anchor-button has-graphic e479-e87 mdb-w\" tabindex=\"0\" href=\"mailto:newmusic@ensemblewienercollage.at?subject=CD%20Bestellung\"><div class=\"x-anchor-content\"><span class=\"x-graphic\" aria-hidden=\"true\"><i class=\"x-icon x-graphic-child x-graphic-icon x-graphic-primary\" aria-hidden=\"true\" data-x-icon-s=\"&#xf290;\"><\/i><\/span><div class=\"x-anchor-text\"><span class=\"x-anchor-text-primary\">Order CD<\/span><\/div><\/div><\/a><\/div><div class=\"x-column x-sm x-1-5 e479-e88 mdb-5\"><span class=\"x-image e479-e89 mdb-n mdb-p mdb-q\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/1.jpg\" width=\"512\" height=\"490\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-5 e479-e90 mdb-5\"><span class=\"x-image e479-e91 mdb-n mdb-o\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/2.jpg\" width=\"134\" height=\"134\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-5 e479-e92 mdb-5\"><span class=\"x-image e479-e93 mdb-n mdb-r\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/3.jpg\" width=\"131\" height=\"129\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><\/div><\/div><div class=\"x-section e479-e94 mdb-0 mdb-1\"><div class=\"x-container max width e479-e95 mdb-4\"><div class=\"x-column x-sm x-1-5 e479-e96 mdb-5\"><span class=\"x-image e479-e97 mdb-n mdb-s\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/4.jpg\" width=\"132\" height=\"131\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-5 e479-e98 mdb-5\"><span class=\"x-image e479-e99 mdb-n mdb-t\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/5.jpg\" width=\"132\" height=\"128\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-5 e479-e100 mdb-5\"><span class=\"x-image e479-e101 mdb-n mdb-r\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/6.jpg\" width=\"131\" height=\"130\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-5 e479-e102 mdb-5\"><span class=\"x-image e479-e103 mdb-n mdb-r\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/7.jpg\" width=\"130\" height=\"129\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><div class=\"x-column x-sm x-1-5 e479-e104 mdb-5\"><span class=\"x-image e479-e105 mdb-n mdb-p\"><img decoding=\"async\" src=\"http:\/\/www.ewc.at\/wp-content\/uploads\/2018\/02\/8.jpg\" width=\"132\" height=\"130\" alt=\"Image\" loading=\"lazy\"><\/span><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Aufnahmen&#x25b8;Simeon Pironkoff: SUJETS (2003-04)Aufnahmeort: Arnold Sch&ouml;nberg Center, WienDrei Trios und ein Quartett mit Klarinette\/Bassklarinette, Posaune, Violoncello und Klavier.In diesem Zyklus wird versucht, aus bestimmten, im kompositorischen Material gegebenen &#8222;Reibungszust&auml;nden&#8220; (vor allem auf rhythmischer Ebene) verschiedene &#8222;Themen&#8220; zu extrahieren (unter Thema verstehe ich hier im konkreten Kontext eine Art &#8222;objet trouv&eacute;&#8220;, das durch einen Individualisierungsprozess zum Gegenstand einer kompositorischen Aussage geworden &#8230;<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-blank-1.php","meta":{"footnotes":""},"class_list":["post-479","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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